In development · updated August 20, 2026

What's on the bench

Everything below is real work in progress, not a wishlist — built and being tested, or being captured right now. No dates: it ships when it sounds right. Just landed instead of pending: four new amps and the whole cab library as IR packs are in the store now, and the free 1.11 update — MIDI control, the VIBE pedal, the dual rig running two whole heads side by side — is rolling out this week. Details on What’s new; every update announces itself inside the plugin.

Next out of the workshop

More whole heads, with their channels intact

A multichannel amp in NAM 9000 is the entire head: every channel, its own voicing, its own working GAIN knob, switched from the front panel like the real thing. Version 1.9.0 brought the first four, 1.10 added the blackface combo — and the latest store drop added the SLO-100-style, the Mark IV-style with its five-band graphic EQ, and the BritPlex 50. The bench does not stop: the next head is captured, trained and playing here — waiting on the same last step every amp waits on, which is somebody's ears rather than a calendar.

The BE-100-style head faceplate in NAM 9000

BE-100-style — the boutique king, whole

The modern boutique lead head, already one of the most-wanted hero packs in the store — now getting the full multichannel treatment: BE, BE Fat, HBE and HBE Fat, every voicing its own deep gain sweep on one switchable head, wearing its own faceplate in the app. Captured and trained; on the listening bench now.

A tweed 4x10 — Bright, Normal, and both at once

The blonde combo every studio reaches for when a clean tone needs hair on it: Bright and Normal channels, each swept across its range — and the jumped sound of both inputs bridged, the way players have wired it since the fifties. On the capture bench next.

On the capture bench after that

  • A blackface 2x12 for the loud, clean end of the tweed's family
  • More heads follow — the capture rig runs every week
  • Every one with the full GAIN treatment, channel by channel

Each head is a few weeks of capturing, training and listening — so this list is an order of work, not a release schedule. A head only ships once every anchor on every channel has passed the bench, and then somebody has played it for a while and not wanted to go back to the real one.

The house process

Built on a capture chain we don't publish

Getting a whole gain control into one profile is not a matter of capturing an amp a few times and interpolating. It took us the better part of a year to develop a specialised, multi-stage capture and analysis chain — bench instrumentation, custom tooling, and a lot of amps — and that chain is the part of NAM 9000 we keep to ourselves. What we will happily show you is what comes out the other end.

Indistinguishable from the amp

Every sweep is checked back against the real head it came from, at every position on the knob. The tolerance we hold is a fraction of a decibel across the audible range — the kind of match you normally measure, not hear.

Continuous, not stepped

The knob is smooth end to end: no dead zone where nothing happens, no cliff where a small move changes everything, no hollowing out between positions. It behaves the way the amp's own control behaves, because that is what it was built from.

Every set earns its place

A sweep only ships once it passes the bench, and then a mix engineer's ears. Sets that don't survive both get recaptured — several have. That is why the catalogue grows amp by amp rather than a hundred at a time.

Coming to the pedalboard

The drive shelf keeps filling — and it's fuzz's turn

Fifteen drive pedals already live on the board, each one captured across its whole drive range so the knob crossfades between real measurements instead of filtering one. The same treatment is coming to the rest of the shelf.

  • A fuzz row — the germanium and silicon classics, captured across their range (fuzz is where static captures fail hardest)
  • Bass drives — the low-end overdrives bassists actually gig with
  • More boutique screamers and transparent drives for the existing rows

The cabinet collection that used to live on this page shipped — 284 IRs in nine genre packs, plain-WAV export included, in the store now.

And on the UI bench

A pass over the parts of the interface you touch a hundred times a night: a clearer load confirmation, a tighter top bar that gives the amp itself more room, and the rig plate split so each section of the chain can be recalled on its own.

  • A performance mode that strips the animation back on older machines
  • And on the drawing board: a lighter theme, for people who don't work in the dark
Free, today

Start with what's already shipped.

Version 1.10 is live for Windows and macOS — eight multichannel heads in the catalog, the GAIN knob, the stereo rack, the free Brit 800 hero pack, the whole rig and the capture studio — and 1.11 is rolling out with MIDI control, the free VIBE pedal and the dual rig running two whole heads side by side. Everything on this page lands as a free update or an optional pack.

Download NAM 9000 free