Everything below is real work in progress, not a wishlist — built and being tested, or being captured right now. No dates: it ships when it sounds right. Just landed instead of pending: four new amps and the whole cab library as IR packs are in the store now, and the free 1.11 update — MIDI control, the VIBE pedal, the dual rig running two whole heads side by side — is rolling out this week. Details on What’s new; every update announces itself inside the plugin.
Next out of the workshop
A multichannel amp in NAM 9000 is the entire head: every channel, its own voicing, its own working GAIN knob, switched from the front panel like the real thing. Version 1.9.0 brought the first four, 1.10 added the blackface combo — and the latest store drop added the SLO-100-style, the Mark IV-style with its five-band graphic EQ, and the BritPlex 50. The bench does not stop: the next head is captured, trained and playing here — waiting on the same last step every amp waits on, which is somebody's ears rather than a calendar.
The modern boutique lead head, already one of the most-wanted hero packs in the store — now getting the full multichannel treatment: BE, BE Fat, HBE and HBE Fat, every voicing its own deep gain sweep on one switchable head, wearing its own faceplate in the app. Captured and trained; on the listening bench now.
The blonde combo every studio reaches for when a clean tone needs hair on it: Bright and Normal channels, each swept across its range — and the jumped sound of both inputs bridged, the way players have wired it since the fifties. On the capture bench next.
Each head is a few weeks of capturing, training and listening — so this list is an order of work, not a release schedule. A head only ships once every anchor on every channel has passed the bench, and then somebody has played it for a while and not wanted to go back to the real one.
The house process
Getting a whole gain control into one profile is not a matter of capturing an amp a few times and interpolating. It took us the better part of a year to develop a specialised, multi-stage capture and analysis chain — bench instrumentation, custom tooling, and a lot of amps — and that chain is the part of NAM 9000 we keep to ourselves. What we will happily show you is what comes out the other end.
Every sweep is checked back against the real head it came from, at every position on the knob. The tolerance we hold is a fraction of a decibel across the audible range — the kind of match you normally measure, not hear.
The knob is smooth end to end: no dead zone where nothing happens, no cliff where a small move changes everything, no hollowing out between positions. It behaves the way the amp's own control behaves, because that is what it was built from.
A sweep only ships once it passes the bench, and then a mix engineer's ears. Sets that don't survive both get recaptured — several have. That is why the catalogue grows amp by amp rather than a hundred at a time.
Coming to the pedalboard
Fifteen drive pedals already live on the board, each one captured across its whole drive range so the knob crossfades between real measurements instead of filtering one. The same treatment is coming to the rest of the shelf.
The cabinet collection that used to live on this page shipped — 284 IRs in nine genre packs, plain-WAV export included, in the store now.
A pass over the parts of the interface you touch a hundred times a night: a clearer load confirmation, a tighter top bar that gives the amp itself more room, and the rig plate split so each section of the chain can be recalled on its own.
Version 1.10 is live for Windows and macOS — eight multichannel heads in the catalog, the GAIN knob, the stereo rack, the free Brit 800 hero pack, the whole rig and the capture studio — and 1.11 is rolling out with MIDI control, the free VIBE pedal and the dual rig running two whole heads side by side. Everything on this page lands as a free update or an optional pack.
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